European Cities of Culture 2000
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BERGEN
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Bergen is famous for its medieval and early
modern wooden city centre with an UNESCO world heritage
site. The city takes pride in rich and concentrated cultural
life, and the traditional art forms are all well represented
by museums, theatres and the internationally known philharmonic
orchestra. Bergen is especially known for its vibrant contemporary
scene, amongst them the bit 20 ensemble, the national contemporary
dance company, carte blanche, and the experimental Bergen
international theatre.
Bergen
2000 is a spectacular celebration of culture. As a European
City of Culture, it focuses on its rich traditions and the
openness of new artistic tendencies in a European context.
The City of Culture is more than suitable for establishing
contacts and identity for other parts of the country. The
County Council wants to promote the city centre as a meeting
place, as well as involve the surrounding municipalities.
Bergen 2000 has been used as a tool in achieving long-term
cultural objectives of permanent worth, relating to new
expertise, new audiences and spectators, new network and
a more visible cultural life.
The City's Department of Culture aims at
promoting diversity, creativity and spiritual values, at
the same time ensures preserving Bergen's historical heritage
and identity. The focus is on further development and promotion
of a high quality art and museum programme, as well as on
arranging culture and leisure facilities that are desired
and important for the personal development and commitment
of the inhabitants. In the year of culture and in the future,
the necessity of providing the cultural offer to children
and young people has particularly been pointed out.
The Bergen City Council has agreed with the
recommendations formulated in "the plan of action for art
and artists in Bergen city of culture". It has further decided
that the plan of art is to be used in the long term planning
of the cultural area of Bergen. Additionally, the plan has
been the basic tool in the planning of Bergen as European
City of the Year 2000. This event is also a tool for reaching
the city economic development goals, city renewal and educational
strategies, environmental, etc. The City Council also plans
to form a Norwegian arts profile for building up of tourism.
In this way, Bergen will continue being a leading city of
culture, and a centre of creative arts.
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HELSINKI
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In the last decades culture has become an
important element in urban development campaigns in European
cities. Helsinki woke up in the early 90´s when a recession
struck the country and urged the city to reposition itself
in the global marketplace.
In 1995 Helsinki received its nomination
for European City of Culture 2000. It was clear that the
main target of this year was not to create a one-year festival.
What we are really striving for is the enhanced quality
of life for the inhabitants and increased international
awareness of the Finnish culture. The idea was to find culturally
enriching projects, new talents and ways of operating, and
to present them to new audiences.
The
final programme consisted of some 450 events. Classical
music and art exhibitions were among the more traditional
offerings, science fiction and comics, and Finnish specialities
like sauna and a church built of snow were also featured.
Many of the events were made by the inhabitants themselves.
Schools, kindergartens and homes for the elderly also staged
Year of Culture events. As a Baltic city Helsinki also wanted
to spotlight the arts and culture of its nearest neighbours,
Tallinn and St Petersburg. In a conference for university
cities around the Baltic Sea the cultural content of European
Northern Dimension was explored.
As early as in October 2000 it is too early
to say how exactly the Year of Culture achieved its ambitious
goals and identify permanent effects. Much research on these
topics is to be published the year after. But what we already
know is that the events certainly found their audience.
By the end of September the attendance was ca. 4,5 million
visitors, with Finland having a total population of 5,2
million inhabitants. More tourists also found their way
to Helsinki.
As for the competition between the Cities
of Culture the question was soon out of the agenda as the
cities started to co-operate in ways that have proved beneficial.
The fact that three cities in the North – Bergen, Reykjavik
and Helsinki three cities in Central Europe – Brussels,
Cracow and Prague – and three cities in the Mediterranean
region – Avignon, Bologna and Santiago de Compostela – presented
the diversity of European culture gave a totally new dimension
to the basic idea of the cultural year institution. The
networks created between the cities and their cultural institutions,
universities and tourist authorities will hopefully be one
of the permanent effects of the Year of Culture.
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