Commission on Culture
Youth culture
The "New footsteps of youth culture
2008" award was granted to Jyvaskyla Live Music Association
(Jelmu). Jelmu is a non-profit NGO, organising rock concerts
and offering training facilities for bands in Jyvaskyla.
The work is mainly done by young volunteers. The association
runs the Tanssisali Lutakko building, where 120-130 events
are organised each year. The annual number of visitors totals
nearly 40,000 and 90% of the events are open for persons
under 18. The association is 99% self-sufficient and not
dependent on public financial aid. Targeting events at young
people is an ideological decision of Jelmu, and becomes
possible through volunteer work.
Tanssisali Lutakko was built in 1953 as a
bakery. Based on a town plan prepared in the 1980s, the
building was meant to be demolished. Thanks to the efforts
of Jelmu and its members as well as public opinion, the
building was saved and, after 10 years permanently handed
over to be governed by Jelmu. The building was renovated
in 2005, partly financed by the city and the ERDF. After
this the building has earned increased fame and recognition;
Tanssisali Lutakko has been regarded as one of the most
important rock clubs in Finland for several years. Receiving
the UBC Cultural Award 2008 may mean, in general, that the
public support of culture is neutral age-wise, but the reality
is that a vast majority of public funding is directed at
cultural forms in which the participators are middle-aged
or older, or at the very least adults. The youth culture
that the society recognizes is either seen as education
or as entertainment. In the former case, the role of youth
is then a learner or a target of edification and in latter
case only the role of consumer is available for youth. The
culture produced by youth for youth does not fit into either
of these categories and does not get the recognition it
deserves in terms of respect or funding. It does not even
count as culture. However, it is the case that anyone worried
about the decline of sense of community ought to go to a
line in punk concert and hear how people out of town find
a place to sleep. Anyone worried about growth of violence
should go to a metal music concert and see how aggression
and angst is defused on the floor. True sense of community
is not built in committees; it can not be handed to youth.
Rather, the true feel of affinity springs from shared experiences
that can not be ordered from above; sense of community must
be construed by each generation for themselves. The society
should pave the road for youth to be able to live through
those constructive experiences.
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